Hello friends,
Welcome to the first edition of Whatās the Gist!
So normally I wouldnāt pick a book about creativity up because I donāt consider myself a ācreativeā person by any means, nor am I involved in the arts world š©āšØ. But when thinking about launching this newsletter, I thought itās worth hearing from one of the most read authors both online and offline, someone with multiple best seller books and a blog post each day for the past 7,500 days!Ā š
Here are the main constructs I took away from this book:
š” Creativity is an action not a feeling
š” Passion isnāt innateĀ
š” Generosity should be at the core of your values
š” Reassurance and worrying are futile
š” Talent is overratedĀ
š” Generic is a trap, but genre is a lever
Creativity is an action not a feeling š¤Æ
You donāt āfeel' creative then produce the work. You feel creative because youāve produced the work. Every professional writer, singer, artist, designer, etc. has put in countless hours honing their skill so that they become an overnight success.Ā
Drew Dernavich has published more cartoons for The NewYorker than just about anyone else. One day he posted a picture of his desk:
Moral of the story: grow your discard pile. The more you create, and more likely something will succeed. Action precedes creativity. Good habits repeated over time lead to good outcomes. Focus on honing in your daily practices and the results will follow.
Passion isnāt innateĀ š§¬
The concept of passion is often overly romanticized to refer to something that is in your DNA. Something you are born with and need to āfindā within yourself. But reality is that once you decide to trust yourself and commit to a process of creating something, you will have found your passion. You can have multiple passions and in different domains too. It comes down to choosing to trust yourself and believing that commitment to the process can uncover your passion(s). This concept deconstructs the status quo because the idea of āfindingā your calling gives us a convenient place to hide -Iām personally guilty of that šš»āāļø.
"After all, who wants to do difficult work that doesnāt fulfil us. Who wants to commit to a journey before we know itās what weāre meant to do. The trap is this: only after we do the difficult work does it become our calling. Only after we trust the process does it become our passion.Ā Do what you love is for amateurs. Love what you do is the mantra for professionalsā
Generosity should be at the core of your values š±
Rather than thinking of your creative work as an individualistic activity, change your perception to see it as an act of service to others. You are making something that aims to create positive change for a specific group of people. Once you start seeing it as such, it gives your work deeper meaning and a bigger sense of urgency that itās not about you, itās about showing up and providing for others. This requires you to channel empathy in each step of the way.
Reassurance and worrying are futile š
Donāt look for reassurance that your plan will work. While it feels nice to have someone tell you everything is going to work out, reality is you are doing something that MIGHT work, but might also not work. We worry because we seek guarantee. Some affirmation that our efforts will pay off. All the reassurance in the world will not make up for lack of commitment to the practice. You must trust yourself enough to lead the way and make the change.Ā
Talent is overratedĀ š„
Talent is something we are born with, a magical gift we are given. But skill is earned. Itās learned and practiced and hard-won.Ā
ā Itās insulting to call a professional talented ā¦Ā Many people have talent, but only a few care enough to show up fully, to earn their skill. Skill is rarer than talent. Skill is earned. Skill is available to anyone who cares enough."
What differentiates good from great are two things; skill and attitude. Learned and practiced skills done over and over again, and an attitude to find pleasure and satisfaction is mundaneĀ tasks.Ā
So find build your āsuperpowerā. The thing people will call you ātalentedā for.
Generic is a trap, but genre is a lever šÆ
McDonaldās doesnāt offer pizza, and Nike doesnāt make high heels. Donāt look to please the masses, donāt be too generic to the point that nobody develops any strong positive or negative feelings towards you. Mass means average. Mass is boring. Mass conflicts with our desire to make something that matters. People want to feel spoken to, they want something peculiar that they will get only from you.Ā
Find your niche, know your audience and create for them. What do they want? What do they believe? Whatās their narrative? The more detailed you can answer these questions, the more likely you are to actually creating change.
ā How is it possible for three cowboys to herd a thousand cattle?Ā
Easy. They donāt. They herd ten cattle, then those cattle influence fifty cattle, and those cattle influence the rest.
Thatās the way every single widespread movement/product/service has changed the world.ā
Find 10 people that genuinely care about your work (outside of friends and family).
EXERCISE š
Has there been a creative idea sitting in the back of your head? This could be anything from writing to creating videos to teaching to designing to singing, etc⦠Something you believe you can offer value to other people through, but for whatever reason you havenāt started yet?
If so, Iāve created a short worksheet for you from the learnings of this book. Check it out!
What I liked⦠š
Some good reality checks with how creative work is usually seen and perceived by most people. He displaces many of the attributions people usually give to success (ie. talent, passion, luck, etc.) and shifts the responsibility mostly to the individual committing to the practice, trusting the process, and fine tuning their own skills.
Not so much⦠š
Some concepts felt like it was trying too hard. For example, I get how creative content can be a generous act, but that doesnāt mean it always is, as implied. The purpose and the direction of the work plays big part here.
The structure of the book is a bit odd. Itās a collection short writings rather than a full flowing book.
Did something resonate with you from this summary? Iād love to hear your thoughts and feedback!
I love it Haya, very insightful! I particularly liked the moral story behind Drew Dernavichās discard pile and how we should think about the positive impact on our niche audience when creating creative work. Bscause as you said, our work āis not about usā. If we make it so then we risk allowing our ego to sabotage or block our creativity. And that can always happen without us realizing it.
I downloaded the worksheet excercise you shared and plan to use it š.
Looking forward to your next blog! ā„ļø
Well written! I totally agree with how generic is a trap. In a world where everyone presumes they are polymaths, itās important to differentiate between polymaths and having little generic knowledge about a lot of things! Thank you